Two-hundred years ago this week, in Leipzig, Germany, Wilhelm Richard Wagner was born. Over his career, he became an unparalleled
composer and conductor famous for his operas.
His music is known by aficionados and novices alike. He died in February of 1883, a complete half a
century prior to 1933. In the small
village of Röcken, Germany in October of 1844, Friedrich Wilhelm Nietzsche was
born. Over his career, he broke new
ground as a philosopher as well as a critic and his works are as famous and as
likely to be known by the uninitiated as any other philosopher in world
history. He died in August of 1900,
three decades prior to 1933. Even though
both men lived and worked decades prior to that year, marked by the rise of Adolf
Hitler and his Nazi Party, the two men are forever and seemingly unbreakably
linked to the worst excesses and ideology of the Nazis. The question is, should they?
In Israel, Wagner is persona non grata and understandably so. The music of Wagner has come to epitomize the Nazis through Hitler’s love for the composer. For Jews, there will never be a separation no matter how benign an individual performance of Tristan und Isolde or Der Ring des Nibelungen can be. Wagner has been accused of being anti-Semitic and there is certainly evidence enough to prove that accusation. The 1850 piece On Jewishness in Music was an opening salvo of Wagner’s declaration of disdain for Jews. As with many people of the day, there was a historic strain of anti-Semitism and Wagner was a product of his day. To suggest, however, that he would have been a Nazi is more of a stretch.
In Israel, Wagner is persona non grata and understandably so. The music of Wagner has come to epitomize the Nazis through Hitler’s love for the composer. For Jews, there will never be a separation no matter how benign an individual performance of Tristan und Isolde or Der Ring des Nibelungen can be. Wagner has been accused of being anti-Semitic and there is certainly evidence enough to prove that accusation. The 1850 piece On Jewishness in Music was an opening salvo of Wagner’s declaration of disdain for Jews. As with many people of the day, there was a historic strain of anti-Semitism and Wagner was a product of his day. To suggest, however, that he would have been a Nazi is more of a stretch.
Hitler
wrote in Mein Kampf about a childhood
experience of seeing Lohengrin, its
transformative powers and many modern observers have made connections and
judgments that simply do not hold water.
Still today, the very nature of playing Wagner can cause a row. In Israel, Israeli conductor Daniel Barenboim
planned to play a Wagner piece as part of an encore in 2001 – one he would ask
the audience about first and allow those who did not want to hear to
leave. It did not matter as the very
thought that it could happen forced Mr. Barenboim to back off. That might sound reasonable given the setting
but elsewhere? In Düsseldorf during a
production of Tannhaüser, scenes of
the concentration camps accompanied by Wagner in the background led to loud
boos. While the majority of Germans
associate Wagner with Hitler, Der Spiegel
asked if Germans could enjoy any aspect of its culture anymore.
For
Friedrich Nietzsche, one of the most influential modern thinkers, the
connection between his writings and the Nazi ideology was first drawn from the
actions of his sister, who along with her husband, helped establish a German
colony in Paraguay with the intent of creating a perfect society. During the latter years of her life,
Elisabeth Förster-Nietzsche supported the Nazis until her death in 1935. She also edited and rewrote many of her
brother’s works to reinforce Nazi ideology.
Therein lays the philosopher’s crime – oddball family members. That is not to say that Nietzsche himself was
not anti-Semitic (though there is much evidence to suggest anti-Semitism and
not) but to suggest he was a Nazi because of how Hitler and his henchmen used
notions like suffering and the übermensch
(Superman) is no proof.
Hitler’s
love of Nietzsche stemmed from a love of the philosopher’s concept of Superman
– a fully-realized man free from the constraints of a corrupt society (western
European) and a corrupt moral code (Christianity). In Nietzsche’s Man and Superman, the Nazis perverted his ideas, ignoring much of
what would rebuke the fascist ideology.
Many modern scholars are working hard to re-introduce the German’s
thoughts and ideas, unedited from the re-fashioning of his sister. This is a hard road, however. Those not familiar with the man and his work
will miss the affirmation of man’s ability to endure, to rise above those
things that hold individuals back and reveal true character. I’ve stood at his grave in Röcken and visited
Weimar to visit his archives where his sister hosted and swayed Adolf
Hitler. Still, he has been read by many
world leaders and ordinary folks seeking to better understand his ideas and his
concept of human nature. Hitler was just
one of them – and he misunderstood what he read.
In
history, I teach my students not to judge historical figures based on present moralities and
if anything, Wagner and Nietzsche suffer from a lack of adhering to this
paradigm. Should Jews get past Wagner
and take him at face value? Because
there is such a connection between the man and the philosophy, perhaps the onus
is on others to listen to the music and better understand the musicality. Should people read Nietzsche for themselves
to determine the real meaning and ideas behind the man? Sure though I’m not sure it will happen. He needs to be read in his entirety but few
have a desire to do so. As a result, connections,
especially historical connections, become a tricky thing. Most are based on assumptions and that is
fraught with danger.